Analytical film data
Recent news
FILM SCREENINGS SCHEDULE IN GREECE
24/01/13 18:00 DAYS OF 36' ATLANTIS (THEATRE 2) 19:20 ULYSSES'S GAZE CINE PARADISOS 19:30 THE WEEPING MEADOW CHATZIGIANEIO CENTRE LARISA 19:45 THE SUSPENDED STEP OF THE STORK GAZARTE 20:00...
PRESS RELEASE - FILM SCREENINGS IN GREECE
Theo Angelopoulos loved his country deeply and honored it by transporting it all over the world.

The Travelling Players (O Thiassos) (1974-’75)

General data


Year: 1974-’75
Length: 230 Minutes
Color: Colour
Country: Greece
Distinctions: 1975. International Film Critics Award (FIPRESCI), Cannes. 1975. Best Film, Best Director, Best Screenplay, Best Actor, Best Actress, Greek Critics Association Awards, Thessaloniki Film Festival, Interfilm Award, «Forum» 1975 Berlin Festival. 1976. Best film of the Year, British Film Institute, Italian Film Critics Association:Best Film in the World, 1970-80. FIPRESCI: One of the Top Films in the History of Cinema. Grand Prix of the Arts, Japan. Best Film of the Year, Japan. Golden Age Award, Brussels.

The film
THE TRAVELLING PLAYERS is a film of epic proportions. The action takes place during the years 1939-52 and is seen as a series of individual, often inexplicable events or tableaux, commentated by monologues, by slogans written on the walls, or by songs. It reveals the period's turbulent history while focusing on a travelling company of actors who spend those fourteen years wandering through provinces, cities and villages, performing, in increasingly threadbare circumstances, a 19th century pastoral melodrama, Persiadis' Golfo the Shepherdess. They never get to finish the play and the tranquil sheep painted on their back cloth gaze down upon generations of anguish and bloodshed. The passage of history reverberates in individual incidents or is summarized in symbols. These sad, shabby, often hungry folk, whose relationship is based on the family of the House of Atreus, are of varying political hues - from active collaborators with the Nazis (Aegisthus), to opportunists (Chrysothemis), to centrist Greek patriots (Agamemnon), to the apolitical (Clytemnestra), to left-wing idealists (Electra), to communist guerillas (Orestes). And they fill these roles as much as they do the mythic ones of wandering general, faithless wife, betrayer or vengeful son. As they travel amid the constant wartime convulsions, they begin, unconsciously, to enact parallels to Aeschylus' tragic cycle.
backtopFacebook